a5c7b9f00b Poor Red Jones gets fired from every job he tries. His fiancée gives him one last chance to make good when he becomes a Fuller Brush man. His awkward attempts at sales are further complicated when one of his customers is murdered and he becomes the prime suspect.
"Red" Jones attempts to prove himself to his sweetheart, Ann Elliott, by becoming a successful Fuller Brush door-to-door salesman. When one of his clients is murdered, "Red" becomes the number-one suspect by the police. He and Ann escape a trap set by the killer and his henchmen, but are still being chased through a war-surplus warehouse.
THE FULLER BRUSH MAN is, hands-down, Red Skelton's best film. The script is tight and packed solid with one liners. The supporting cast, especially Janet Blair and Don McGuire, are very personable (McGuire in a greasy sort of way, of course!). The scenario is perfectly balanced between the first half wherein Red tries to make something of himself and the second half after which a murder is committed in the home of the sanitation commissioner who fired Skelton. Like Sylvan Simon's WHISTLING pictures, there is an extended set-piece - this time in Red's apartment. But unlike the MGM comedies (poor MGM, they tried at comedy) the cutting, camera-work and staging are more fluid. And funnier. BUT all this is but a build-up to one of the great chase finales in pictures. And here is where co-scenarist Frank Tashlin really shows his stuff. The chase is a raucous knockabout affair with the gangsters, all played by top stunt players suchDave Sharpe and Bud Wolfe, bounce and tumble like the Keystone Kops. And what really sells the chase is Heinz Roemheld's dizzy, pizzicato scoring. It is perfectly punctuated and wraps the entire finale up into a three-ring circus act. It is very interesting to compare the chase finale in FULLER BRUSH MAN to the chase finale in THE YELLOW CAB MAN. The latter sequence was scored by MGM cartoon music maestro Scott Bradley. But for some unconscionable reason, Bradley's music was completely dropped from the finale. Talked about a scotched opportunity. Never mind. See THE FULLER BRUSH MAN. It's Red's best.
Red Skelton finds a joba door-to-door salesman while courting Janis Paige. The story turns into a murder mystery. That's about it.<br/><br/>The script was by Frank Tashlin, who went on to direct a couple of very amusing comedies, including "Will Success Spoil Rock Hunter." It's not clear who the intended audience is in this instance.<br/><br/>I remember seeing ita kid and laughing throughout,I did at most of Red Skelton's movie – and Abbot and Costello, for that matter. But I saw things thenthrough a glass redly, or rosily, and now that I am a man I have put away that particular child-like faculty along with my unbroken collection of Action Comics.<br/><br/>It strikes me nowmore silly than funny. Red Skelton marches down the sidewalk to appropriately pompous music, steps on a child's skate, and falls down. (The editor holds on the scene for several seconds, allowing the laughs in the audience die down.) Danny Kaye's comedies of the same period have held up much better. So have some of Red Skelton's. "A Southern Yankee" is still good for laughs.<br/><br/>Withal, there's an endearing innocence about the production. Nobody's sense of humor was designed to exceed the age of fourteen. The gags we've seen a hundred times on television sit comes may have been relatively fresh. Skelton has a mobile face and does mime well. And the slapstick chase through a war surplus warehouse at the end is exciting enough to entertain almost everyone.<br/><br/>It would be nice to check this out on an eleven-year-old child and see if he or she laughs or whether an abundance of sit coms and cartoons have made their sensibilities harden and their demands more challenging.

Yes. See the company's official website here. Read its Wikipedia page here.<br/><br/>The public was much more aware of the Fuller Brush Company during the time of this movie than they are today. The Fuller Brush men were once a familiar part of the American scene.<br/><br/>See also:<br/><br/><a href="/title/tt0036780/">Duck Soup to Nuts (1944)</a> (1944). Daffy Duck introduces himself to Porky Piga Fuller Brush man.<br/><br/><a href="/title/tt0042488/">The Fuller Brush Girl (1950)</a> (1950). <a href="/name/nm0000840/">Lucille Ball</a> stars in this sequel to the Red Skelton comedy. Yes. He's played by <a href="/name/nm0402505/">Jimmy Hunt</a>, best known today for his lead role in <a href="/title/tt0045917/">Invaders from Mars (1953)</a> (1953). The character comes from Red Skelton's radio program where Skelton himself played the role. Red calls himself Philo Jones. He's referring to Philo Vance, the amateur detective and bon vivant created by <a href="/name/nm0886597/">S.S. Van Dine</a>, who featured him in twelve novels of the 20s and 30s. The character was also popular on the radio and in movies.
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